AUTHOR: JOHN BOYNE
Pages: 297
Date: 07/07/2013
Grade: 5
Library
The Blurb:
“1867. Eliza Caine arrives in Norfolk to take up her
position as governess at Gaudlin Hall on a dark and chilling night. As she
makes her way across the station platform, a pair of invisible hands push her
from behind into the path of an approaching train. She is only saved by the
vigilance of a passing doctor.
When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation. Later that night in her room, a second terrifying experience further reinforces the sense that something is very wrong.
From the moment she rises the following morning, her every step seems dogged by a malign presence which lives within Gaudlin's walls. Eliza realises that if she and the children are to survive its violent attentions, she must first uncover the hall's long-buried secrets and confront the demons of its past.”
When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation. Later that night in her room, a second terrifying experience further reinforces the sense that something is very wrong.
From the moment she rises the following morning, her every step seems dogged by a malign presence which lives within Gaudlin's walls. Eliza realises that if she and the children are to survive its violent attentions, she must first uncover the hall's long-buried secrets and confront the demons of its past.”
“I
blame Charles Dickens for the death of my father...”
You have to love a
good ghost story. And as ghost stories go, this definitely is a good one. It
has all the elements a scary story needs to make it get under your skin and
creep you out; an isolated heroine, an almost deserted house, starting to fall
apart, hidden rooms and dark secrets.
After her father
dies, Eliza is alone in the world. She leaves the familiar surroundings of London and a safe job for Norfolk and the position of governess to a
family and children she knows nothing about. Even in her wildest fantasies she
couldn’t have come up with the scenario that meets her when she arrives at her
destination. The only people she finds in the stately manor are two young
children. There appear to be no adults in the house at all and nobody to let
her know what exactly is expected of her.
When she visits the
local town the next day people are nice to her until they discover she is the
new governess at Gaudlin Hall. The moment she mentions the place or questions
people about the whereabouts of the children’s parents they seem to withdraw
and find excuses to stop talking with her.
It takes some time
for Eliza to find out exactly what happened to the parents and to her
predecessors and all the while strange things are happening to her; the hands
trying to push her in front of a train when she first arrived, a violent wind
trying to prevent her from entering the house, freezing water suddenly turning
boiling hot and scarring her hands… It is hard for Eliza not to imagine that
she is under attack. But, under attack from whom and why?
By the time Eliza
has figured out exactly what (or who) she is up against she also finds herself
without allies. If anybody is going to resolve this situation it will have to
be her, on her own. But then again, is she really as alone as she thinks?
Like I said, this
is a great ghost story written in an engaging way. The ghostliness of the story
is established in the first few pages and only gets creepier as the narrative
unfolds. I liked that Eliza was a strong character. Yes, she was restrained by
the standards of the time she lived in, but she didn’t allow those standards to
stop her from what she had to do, even if her independence and determination
raised a few critical eyebrows. I also enjoyed the few references that were
made to things hopefully getting better, freer for women in the future.
And I’m in awe of
John Boyne. It seems that no matter what subject or period he decides to tackle
he manages to deliver an engrossing tale with characters you can identify with
even if they do live at a time long before ours. I guess John Boyne is living
proof that the gift of the gab is still alive and kicking. I can only hope that
he’ll continue to share that gift with us, his readers, for a long, long time.
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